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They say, in the eighties, there was nothing. Everyone just existed: some romanticized the good old days, some did electronic music, but generally - everyone was bored. Britain was not so great.
Nirvana does Top of the Pops performance, where, not allowed to play live, they just show off all over the place. And as the UK youth saw this happening, they did not exactly fall in love with Grunge but rather got the idea for their own attitude of the next decade. "The Scene That Celebrates Itself", as they call it, was finding its way.
"Our current state sucks. Let's look for something interesting in the past. Let's pretend the past is still here."
Suede were one of the first bands to establish themselves in this new genre. They set the guidelines for everyone to follow. As the journalist John Harris wrote, "If Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British"
The similar go-get-'em moods dominate the art scene. Young British Artists, led by Damien Hirst, are making art as outrageous as possible. In 1995, Hirst himself gets the Turner Prize (the most prestigious prize in Fine Arts) for "Mother and Child (Divided)" - the installation consisting of a cow and a calf, divided in halves and put in tanks of formaldehyde.
The similar go-get-'em moods dominate the art scene. Young British Artists, led by Damien Hirst, are making art as outrageous as possible. In 1995, Hirst himself gets the Turner Prize (the most prestigious prize in Fine Arts) for "Mother and Child (Divided)" - the installation consisting of a cow and a calf, divided in halves and put in tanks of formaldehyde.